- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- Mar 30, 2016 Prison Mar 30, 2016
- Mar 22, 2016 Manual Labour Mar 22, 2016
- Mar 21, 2016 Thor's Yawn Mar 21, 2016
- Mar 15, 2016 Life in Kuwait Mar 15, 2016
- Mar 9, 2016 Ready in an Hour Mar 9, 2016
- Mar 6, 2016 Late Night Feeding Mar 6, 2016
- Mar 5, 2016 Kuwait Towers Fireworks Mar 5, 2016
- Mar 4, 2016 Life Drawing Mar 4, 2016
- Mar 3, 2016 March 3rd, 2016 Mar 3, 2016
- Feb 29, 2016 One Week to Live Feb 29, 2016
- Feb 28, 2016 How Much Did the Wedding Dress Cost? Feb 28, 2016
- Feb 27, 2016 Hairs Feb 27, 2016
- Feb 26, 2016 Rings Feb 26, 2016
- Feb 25, 2016 The Apple Feb 25, 2016
- Feb 24, 2016 Stuff We Haven't Even Thought of Yet Feb 24, 2016
- Feb 17, 2016 Soulmates Feb 17, 2016
- Feb 16, 2016 Dinner and a Movie Feb 16, 2016
- Feb 15, 2016 One Year Anniversary Feb 15, 2016
- Feb 14, 2016 After Every Vacation Feb 14, 2016
- Feb 13, 2016 Wedding Photographer Feb 13, 2016
- Feb 12, 2016 Upgrade Feb 12, 2016
- Feb 11, 2016 What Will You Be Wearing? Feb 11, 2016
- Feb 10, 2016 Blood Pudding Feb 10, 2016
- Feb 9, 2016 Clothing Feb 9, 2016
- Feb 8, 2016 The Three Sexiest Things Emma Has Ever Said Feb 8, 2016
- Feb 7, 2016 No Sleep Feb 7, 2016
- Feb 6, 2016 Cats and Emma Feb 6, 2016
- Feb 5, 2016 New Comic Feb 5, 2016
- Feb 4, 2016 Cat Butt Feb 4, 2016
- Feb 3, 2016 No Cuddles Feb 3, 2016
- Feb 2, 2016 Cat Fashion Show Feb 2, 2016
- Feb 1, 2016 Smith vs. Smith Feb 1, 2016
Big thanks to everyone who has purchased a copy of "Three Crushes" my 24 Hour Comic! If you haven't read it yet, you can get your copy now! I created the whole 24 page comic in (less than) 24 hours a few weekends ago. It's chock full of gut-wrenching stories of middle school heart break. Fun for everyone!
This week's page was originally an assignment from my life drawing teaching, cartoonist Joan Steacy. Joan tasked us with taking a pose from life drawing and turning it into a "splash page" (one image for a full comic page). I love turning assignments into Smith vs Smith comics, so while my classmates created scenes of samurais fighting monsters, I drew a scene featuring Emma and the cats!
Let me know what you think of the single panel splash page experiment in the comments!
- Matt Smith!
Huge thanks to everyone who has read my 24 Hour Comic, "Three Crushes." It was created two weekends ago in (less than) 24 hours. If you haven't read the true humiliating stories of a young Matt Smith looking for love in Middle School, go check it out now! Then let me know what you think about it! If you aren't already following @smithvssmithcomics on Instagram, do it now and you can see some of the process over the 24 hours.
After leaving Kuwait and spending two months in Scotland, Emma and I are finally in Canada! This page is the first page I've done for my Comics and Graphic Novels Course. This past weekend I also participated in the 24 Hour Comics Challenge. To find out more, make sure you subscribe to my newsletter and follow SmithvsSmithComics on Instagram!
I've been away all weekend attending a course on publishing and marketing (more on that later), so finishing this comic is a little last minute. In fact, I JUST noticed that there was no shadow on the last Matt's arm. What a foolish mistake THAT would have been!
This comic concludes Emma and my summer in Scotland. Back in June, Emma and I said goodbye to Kuwait and moved in with her parents for two months. I've done a comic already about the Scottish weather this summer.
I'm not comfortable with using colour in my comics yet, but I couldn't work out how to show a sunny day in grayscale. It jumps out, creating a strong contrast with the first two panels, but I'm not sure yet. Any feedback on the use of colour would be helpful!
Luckily, today I start the Comics and Graphic Novels course at Camosun College so I'm hoping that I will gain confidence in using colour and in my drawing abilities overall. I'm so excited to finally start this course after 11 months of waiting!
Originally, I planned to release this comic as two different strips. I was worried about being behind on comics as Emma and I were moving. Below you can see the original sketches.
Originally, the second half was going to lampoon how everyone reacted to the heat, but the day we left Scotland was a really nice day (in stark contrast to the first day we arrived) and this way it serves as a conclusion to our summer.
Below you can see an earlier version of the first half of the page.
I shared it with some people and made some changes based on their suggestion. In the final version, the sky is lighter in the second panel, so my day is "brightened" by the ice cream. I also like how the "camera" starts in a full body shot in the first panel, "zooms" in to a medium shot, drawing more attention to the ice cream. In the third panel, the "camera" "zooms" in to a close up, continuing the camera movement, before pulling WAY back to a cityscape shot to see the plane taking off, leaving Scotland and closing this chapter.
Emma and I actually had a great summer in Scotland and there were many other funny stories that happened. I am hoping to collect the last few comics and draw some new ones and release another mini comic (so stay tuned)!
Emma and I are back in Canada, but there are a few more comics about our Scottish summer I want to post. We've been busy catching up with my side of the family, moving into our new apartment and getting ready for school to start in a week, but I managed to complete another comic! See you in a week!
In real time, Emma and I are back in Canada, getting ready for going back to school in a few weeks. I will run a few more comics about our summer in Scotland, and then I will probably collect them all with some brand new pages and release a mini comic all about our Scottish Summer. Stay tuned!
There's a lot more backstory in the first panel, referring to the night before with family friends who we never meet. One of my unofficial rules for "Smith vs. Smith" is that I want to keep the comic focused on Emma, myself and/or the cats and the relationships between the four of us. Part of the reason is to keep all these pages standalone (another "rule"). This is because most people admit to reading the comics from most recent to oldest, in "reverse" order when they first discover the site (which bugs me because that way the art gets worse as your read on). There are of course exceptions to both these "rules," but you get the idea.
So, I eliminated the backstory, starting in the middle of the story.
This is the inked page that I scanned for the comic. I wanted to repeat poses in the middle panel, so I left it blank originally, planning on copying and pasting figures from the first or last panel in Photoshop. You can also see that I only drew us sitting at the table. This was done for two reasons. One, it mimicked the agony of a hangover when you wish you could fast forward to when you are no longer hungover, or rewind to before the hangover, but you are stuck in the moment. It also allowed me to again mimic film language, with a slow push in of the "camera" as I slowly realize something is on Emma's mind.
I played around with the sizes of the characters in each panel, perfecting the change in size until I was happy.
I once again shared the comic with some friends and on a Facebook group. They pointed out that Emma didn't look hungover enough, so I redrew her completely in the first panel. Then I added the grays and shadows.
(There's a reason the panels go from skinny to wide to skinny, and it has to do with the narration captions, but I want to see if anyone picks up on it...)
On a personal note, today Emma and I fly to Canada. We will soon be starting our back-to-school year, with Emma attending art school and myself enrolled in Canada's only Comics and Graphic Novels course. We are both unbelievably excited! I can't wait for these comics to get even better!
- Matt Smith!
I wanted to work on my figure drawing and character poses, so I enlisted my sister-in-law and had her take photos of Emma and in similar poses to my sketch page. Then I digitally inked over the reference photos.
Film is my first love, and I always wish my comics were more cinematic. So I took the opportunity to use some film language along with the comic language. The comic ends on a reverse of the first panel. Where we started with Emma downstairs looking at me on the stairs and asking me to turn around and go back up, in the last few panels, I am on the ground, looking up at Emma on the stairs asking her to come back down. In film, when characters swap from left to right, it is called "crossing the line." In this case, the fifth panel is the turning point, when the balance of power shifts and the direction of the scene changes. I highlighted the crossing of the line by drawing us in white silhouette against a black panel.
The page above has good poses, but the realistic proportions look incongruous with the rest of "Smith vs. Smith." Realistic heads are much smaller than I draw them. And we both look... much wider than I like. I have drawn entire pages completely digitally before, but I keep coming back to inking by hand, so I printed this version of the page, and hand drew over certain panels.
The version of the page above is a Frankenstein's monster of hand drawings and digital. This is the version of the page I showed to a few friends and shared on a Facebook group. Overwhelmingly, people had issues with the last panel. Showing movement in static comics is a challenge, but showing subtle, slow movement is especially challenging. Based on some suggestions, I moved Emma further up the stairs and out of the frame. Angie Coe, a talented cartoonist from the Facebook group (she also does relationship comics so if you like my comics you should check her stuff out) actually drew me a quick sketch to suggest an alternate pose for the last panel.
The new pose makes the action broader and therefore, clearer. I also liked Angie's suggestion that Emma's hand stays where it is, like an anchor. For the final version of the page, I kept my pose the same during the last two panels, only changing my expression. This forces the reader's eye to search for the differences between panels more, allowing the change in Emma's position to stand out more.
This "simple" page took far more time than I would have expected. If you've made it this far, please leave a comment and let me know what you think and please share with anyone you think has ever been in a similar conversation!
It is shocking how much time and effort went into this page! First, I drew two quick versions in "The Blank," a gift from my friend Ed Moline. "The Blank" is a blank comic book that is becoming a helpful way to get my ideas down on paper. I like it more than typing out my comics like a script because for me, the writing and drawing process is so closely linked in cartooning.
I re-ordered the panels. I like the idea of ending with a soggy sandwich, as if that is the worse thing to happen all day, but the panels needed to build to the "punchline" of the fog ruining our victorious photograph.
In the second version of the page, the first few panels are all close ups, intending to mimic "getting ready" movie montages and build interest until the reveal of me in my winter coat. This is an extension of something I've tried to do in comics like "Late Night Feeding" and "Manual Labour." I like how in this page there is no text until the reveal of me in my winter coat (something that was eventually lost because I just couldn't find a better place for the opening caption).
From here, I moved on to thumbnails. I just finished re-reading all 24 issues of Ed Brubaker and Sean Phillip's FANTASTIC "Sleeper" series and their zig-zag panel layouts stuck with me (they also showed me how to draw rain on my sandwich). I am hesitant to use overly creative page layouts, preferring to stick to more basic pages, unless the story calls for it. However, I've also become obsessed with how a cartoonist can guide a reader's eye and I felt that a winding climb would be a good opportunity to experiment with a meandering page layout. I decided to try something different (after all, part of this webcomic is about experimentation). This decision would nearly be the death of me...
Before I drew anything, I had Emma take some reference photographs with me.
With these and other reference photos, I began to draw.
I stared at it, showed it to Emma and sent it to some friends. I had to admit the first caption had to come at the top of the page and the final caption felt like there was more to the story, making this page feel incomplete. I made the appropriate changes, thus creating the page you see above.
Then, I decided to spend even MORE time with this (far too) in-depth behind-the-scenes post. Please let me know if you found this fascinating. If enough people dig the behind-the-scenes stuff, I'll keep writing more. If you've read this far to the bottom, thanks for reading and have a great week!
The last few comics have been about Emma and my summer in Scotland, but this week I felt it was time to show what the cats have been up to. Usually, Neo and Thor spend their summer in a (shockingly expensive) cat hotel, but as Emma and I are moving to Canada, this summer they get to travel. We were worried about their first plane ride, but they handled their British Airways flight quite well (Emma and I had to settle for a KLM flight, but I'm glad the cats were comfy...).
Our main concern with bringing the cats to Emma's parents' house was the family dog, Maisie. Neo is skittish, but Thor, the smallest pet in the house, is now in charge. The three of them seem to be getting along, which was a huge relief.
This week's comic took much longer than the normal weekly comics take. I really wanted to improve my animal drawing, and since it is a (mostly) silent panel, I wanted to draw the pets in some really animated and exaggerated poses. I originally intended to do more with the backgrounds, letting the pets run across the background through multiple panels, but I could only use two panels in each row because the action is so horizontal. I'm trying to use more black in my comics, but when one of your main characters is a black shaggy cockapoo, the pets got lost in the backgrounds. After staring at the comic for a while, I decided to go back and lighten the background to let the pets POP more. Let me know what you think of the experiments in the comments. And if this comic amused you at all, please share with your friends. Have a great week,
Emma and I have left Kuwait for good. We are spending the summer in Scotland with her family. We went away for a week to London. I've been busy with comic commissions, attending the Glasgow Comic Con and Small Press Day and visiting with my Scottish in-laws. Fear not, I still plan on updating Smith vs. Smith weekly all summer long!
Emma and I are spending our summer in Scotland. I've set up office in her parents' dining room. I'll be updating weekly all summer long.
After packing everything up ahead of schedule, we had very little to do in the apartment aside from staring at the wall... Emma and I are both in Scotland for the new two months staying with her parents. Despite being on summer vacation, I'm determined to update the webcomic every Tuesday! I will be making comics soon about our summer! If you can't wait another full week to see some Smith vs Smith content, please follow me on Instagram @smithvssmithcomics